![]() ![]() Those sketches survive, and for Bärenreiter’s new edition Mario Aschauer presents not only the most authoritative text of Version 1, but also includes his fully performable completion of Version 2. How surprising to learn, then, that in 1822/3 Beethoven went back and revisited his earlier sketch, substantially revising it for publication within a planned (but unrealised) collection of 12 Bagatelles. ![]() Nohl published this version (we’ll call it “ Version 1”) in 1867, and it’s the one we all play to this day. “It’s Für Elise, Jim, but not as we know it!”īärenreiter’s new urtext edition of Beethoven’s beloved Bagatelle is one of the most unexpectedly fascinating publications to arrive in a while, offering as it does a radically different version of the piece alongside the one we know so well.īelieved to have been composed between 1808-10, the autograph manuscript of Für Elise remained in private hands until 1865, at which point one Ludwig Nohl discovered it in the possession of a local piano teacher in Munich. All are suitable for intermediate players, and between them offer 37 fresh Hammond compositions in jazz, rock, blues and boogie styles… Continue reading Grooves for Piano Dudes Posted on SeptemAugCategories Early Intermediate Repertoire Tags contemporary piano, Elena Cobb, EVC Music, Für Elise, Halloween, Heather Hammond, Jazz Piano, Popular Styles Beethoven’s Revised Für Elise Grooves for Piano Dudes currently includes three volumes, including one with a special Halloween theme. In this review, I’m considering a contrasting series of her music from the same publisher. ![]() The last time I took a good look at Hammond’s music was in my review of her Ballads Without Words, brought to us by EVC Music. Heather Hammond is well established as one of the best-loved educational composers in the UK today, with more than 100 publications in print (piano and woodwind) from a variety of publishers. Products featured here are selected for review by ANDREW EALES ![]()
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